Wang Chao, born in September 1992, studied at Wuhan University for his master's degree and PhD in film studies in 2021. He has published more than twenty papers in Chinese and English journals, such as Contemporary Cinema, Journal of East China, Journalism Enthusiast, Neuroquantology, Science Repository, etc. He has presided over and participated in several research projects, and is the literary planner and production director of the feature film "Zhu Britain". His current research interests include cultural criticism of film and television, film and television theory and new media art.

Email: wangchaozzu@hotmail.com

Academic Papers

1. "Spectacle Syndrome, Everyday Performance and Interactive Subjectivity - Body Performance in Live Streaming and Short Video" published in "News Lovers", June 2020

2. "Small Country Nostalgia under the Iron Curtain - On Estonian Political Reflection Films in Recent Years" published in Contemporary Cinema, September 2017

3. "An Analysis of the Reasons for the Enduring Subject Matter of -Taking the History of Korean-Korean Cinema as an Example" published in Journal of Eastern Frontier Studies, July 2016

4. "Identity Politics, Gender Disintegration and Model Casting of the First Generation of Female Stars in New China: The Case of Jin Di's "Seventeen Years" Film" published in "The Art of Art", October, 2019

5. "Re-examining McLuhan's Film and Television Thought in the Era of Media Convergence" published in Digital Media Studies, February 2017

6. "The Cosmopolitanism and Nationalism of Wajda's Film" published in Qilu Yiyuan, February 2017

7. "The loss of "literary" and the dilemma of "fan film"-a study of "writer-directed" cinema in China in the past five years A Film Survey" published in "Creation and Review", July 2016

8. " and the Contemporary Anti-Japanese Divine Comedy" published in Qilu Yiyuan, October 2015

9. "Research on the Current Situation and Optimization of 4D Cinema Operation Mode in China" published in China Film Market, December 2014

Scientific Research Projects

1. Presided over the "Research on the Status, Problems and Countermeasures of IMAX Chineseization" (Project No. S2014347), an innovation project for college students at Wuhan University (completed)

2. Hosted the Wuhan University Student Innovation Project "Research on the Status and Optimization of 4D Cinema Operation Model in China" (Project No. S2013053) (completed)

3. Participated in the Youth Project of National Social Science Foundation of China, "Research on the History of Film Interaction in World Socialist Countries (1945-1989)".

4. "Political Landscape and National Allegory: A Cultural Study on the Films of Eastern European Socialist Countries (1945-1989)", a project of the Youth Foundation for Humanities and Social Sciences, Ministry of Education (completed)