Chen Xiaowei, female, is originally from Xin County, Shandong Province. She graduated from Communication University of China in 2006 with a doctorate degree in Film Studies. He has been selected as one of the "Four Batches" of young talents in propaganda, ideology and culture by the Ministry of Propaganda of the People's Republic of China, one of the "Zhongyuan Thousand Talent Program" in Henan Province, one of the outstanding young social science experts in Henan Province, and one of the "Science and Technology Innovation Talents (Humanities and Social Sciences) in Henan University. He has also been selected as one of the "Thousand Talents Plan" for the support of young teachers in higher education institutions in Henan Province and the "Thousand Talents Plan" for the mutual employment between higher education institutions and journalists.

He is also an expert of the National Social Science Foundation of China, an expert of the Postdoctoral Science Foundation of China, an expert of the Henan Provincial Film Review, an expert of the Henan Provincial Journalism Award, an expert of the Henan Provincial Five-One Project Award, an expert of the Henan Provincial Film Review, and an expert of the Henan Provincial Radio and Television Review, He is an expert of Henan Provincial Radio and Television Review. He is also the director of the Microfilm Committee of the China University Film and Television Association and the director of Henan Film and Television Association.

He is in charge of two art projects of the National Social Science Foundation of China: "Cross-cultural Communication of Chinese Film Image Expression", "Research on Cross-border Integration of Chinese Film in the Internet Era", and "Research on the Cultural Paradox of Chinese Commercial Films since 2000", as well as various other projects. He has published nearly 30 papers in academic journals such as Contemporary Cinema, Modern Communication, Film Art, Chinese Television, etc. He has published three academic monographs, including the books "Integration of Painting into Film: The Meeting and Transformation of National Aesthetic Consciousness" and "Chinese Film Image Expression and Cross-cultural Communication", which won the second prize of Henan Provincial Social Science Excellent Achievements in 2009 and 2019, respectively, and "Chinese Film Image Expression and Cross-cultural The book "Chinese Film Image Expression and Cross-cultural Communication" won the first prize in the 12th "Society Award" category of the Chinese Society of Higher Education Film and Television.

He has also directed and created the image film of Zhengzhou University, the image film of the School of Journalism and Communication of Zhengzhou University, the microfilm "Retirement Day", the music microfilm "Youth Singing the Motherland" and "2020 Memory of the River" and other works. The documentary film "Zheng University's Secretary Pan" won the first prize in the documentary film category (teachers' category) of the 10th Academy Award of China University Film and Television Association 2019-2020.

Academic Achievements

I. Academic Papers

1, "Genre Expansion, Personal Consciousness, Symbolic Metaphor: A Retrospective of Crossover Directors' Creations in Chinese Cinema in the Past Decade," Modern Communication, No. 10, 2020.

2, "Dialogue with Hollywood: The Production Logic of Film and Beyond", China Media Report, No. 1, 2019.

3, "Internet Thinking, Big Image Thinking and Cross-Border Thinking - A New Perspective of Professional Change in Radio and Television at the Present Time", Journal of Zhengzhou University, Vol. 5, 2017.

4, "Research on the communication value of "private ordering" microfilm", Journal of Zhengzhou University, No. 4, 2016.

5, "The Communication Value of Microfilm", News Lovers, No. 8, 2014.

6, "Research on the Cultural Symbols of Stars in the Cross-cultural Communication of Chinese Films", Henan Social Science, No. 4, 2014.

7, "The Creative Communication of CCTV Public Service Advertisement", China TV, No. 8, 2014

8, "The Construction of Meaning in Microfilm", Contemporary Cinema, No. 5, 2014

9, "Research on the cultural communication of international award-winning films", Modern Communication, No. 9, 2014.

10, "Research on cross-cultural communication of Chinese films: dimensions, current situation and methods", Journal of Zhengzhou University (Philosophy and Society Edition), No. 6, 2014.

11, "How to develop intangible cultural heritage in Henan industry", Henan Daily, April 25, 2014, theory edition.

12, "Research on Cultural Adaptation of Cross-cultural Communication in Chinese Films," Modern Communication, No. 10, 2013.

13, "Star Symbols and the Construction of China's National Image," Dongyue Series, No. 1, 2012.

14, "The Diversified Exploration of Melodic Films: An Analysis of the Creative Styles of , and ", China Film Market, No. 12, 2011.

15, "On the Cultural Paradox of Chinese Commercial Films", Journalism Enthusiast (National Core Journal), No. 12, 2009.

16、"High Box Office" and "Low Word of Mouth": Analysis of the Paradox of Chinese Blockbusters", Journal of Zhengzhou Aviation Management College (Social Science Edition), No. 5, 2009.

17. "Traditional Painting's "Far" View and the Expression of Spatial Consciousness in Chinese Films", Journal of Zhengzhou Institute of Light Industry, No. 5, 2008.

18. "The Beauty of "Writing" in Traditional Painting and "Godlike" in Chinese Cinema", Southeast Communication, No. 7, 2008.

19. "Seventeen Years of Cinema: The Conscious Transplantation of Traditional Chinese Painting Aesthetics to Cinema", Journal of the PLA Academy of Arts, No. 3, 2007.

20. "From "Adaptation" to "Fabrication": Literary Adaptation in Chinese Commercial Films since 2000", Film Review, No. 11, 2009.

21. "Film Subtitles and Traditional Painting "Inscription Poem" and "Inscription Postscript"", Film Review, No. 18, 2008.

22, "The Breakthrough of Chinese Cinema from the Perspective of Creative Industry", Journal of Zhengzhou University (Philosophy and Society Edition), No. 4, 2008.

23. "On the Meaning of Landscape Painting in Chinese Film Scenery Shots", Film Review, No. 17, 2008.

24. "On the Use and Transformation of the Concept of "Blankness" in Traditional Painting in Chinese Film Mirror", Film Review, No. 10, 2007.

25. "The Cinematic Transformation of the Aesthetic Thought and Expression of Traditional Chinese Painting", Film Art, No. 2, 2006.

26, "From Painting to Screen: An Exploration of the Relationship between Chinese and Western Classical Painting and Film Images", Zhongzhou Journal, No. 2, 2006.

27. "The Survival of Chinese Cinema in a Multicultural Context", Journal of Henan Normal University (Philosophy and Society Edition), No. 1, 2006.

II. Publications and Teaching Materials

1, "Chinese Film Image Expression and Cross-cultural Communication", Social Science Literature Press, 2018, ed. (Sole author).

2, Chinese Commercial Cinema since the New Century: Development and Problems, Henan University Press, 2015 ed. (Sole author)

3, "Blending Painting into Film: The Meeting and Transformation of National Aesthetic Consciousness", Communication University of China Press, 2008 edition. (Sole author)

4, Narratology of Film and Television, Communication University of China Press, 2007 edition. (co-authored)

5、The textbook "Introduction to Film and Television Art" (Eleventh Five-Year Plan Textbook of Higher Education Journalism and Communication), Zhengzhou University Press, 2009 edition. (Editor-in-chief)

III. Projects

(I) National Projects

1. 2016 National Social Science Art Project "Research on Cross-border Integration of Chinese Film and Television Industry in the Internet Era". (Presiding)

2、2011 National Social Science and Arts Single General Project "Cross-cultural Communication of Chinese Film Image Expression". (Presided)

3、2007 National Social Science Foundation general project "Research on Cultural Innovation and Cultural Industry Development". (Participating)

(II) Provincial-level projects

4、2014 Henan Province Higher Education Teaching Reform Project "Research on Practical Teaching Reform of Radio and Television Journalism". (Host)

5、2007 Henan Provincial Social Science Planning Project "Research on the Cultural Paradox of Chinese Commercial Films since 2000". (Presided)

6、2009 Henan Provincial Government Decision-making Research Bidding Project "Research on Countermeasures for the Development of Cultural and Creative Industries". (Participated)

7、In 2007, "Film and Television Narratology" was one of the sub-projects of the key research project of "211 Phase II Project" of Communication University of China. (Participated)

(III) Department-level projects and others

8、The Art and Creation of Film and Television Directing, a postgraduate quality project of Henan University in 2017. (Presided)

9、2012 Humanities and Social Science Research Project of Henan Provincial Department of Education, "Research on Star Allocation in Chinese Film Industry". (Presided)

10、2011 Project funded by the Support Program for Young Backbone Teachers in Henan Universities, "Video Expression and Regional Culture Communication". (Presided)

11、2009 Humanities and Social Science Research Project of Henan Provincial Department of Education, "Research on the Allocation of Stars in Chinese Film Industry". (Presided)

12、2008 Research Project of Henan Provincial Social Science Federation, "Research on News Propaganda and Building a Socialist Harmonious Society". (Presided)

13, 2019 Zhengzhou University offline boutique course key construction project "Introduction to Film and Television Art". (Presided)

14、2014 Zhengzhou University's first special research fund for outstanding young teachers funded project "Research on Microfilm Communication in the New Media Perspective". (Presided)

15、2015 Zhengzhou University postgraduate core degree course "Art and Creation of Film and Television Directing" construction project. (Presided)

IV. Awards

(I) Publications

1、2019, Monograph "Chinese Film Image Expression and Cross-cultural Communication", won the Second Prize of Excellent Achievements in Social Sciences of Henan Province.

In 2019, the monograph "Chinese Film Image Expression and Cross-cultural Communication" won the first prize in the category of monographs in the 2018-2019 Academic Achievement Promotion Activity and the 12th "Society Award" of the Chinese Society of Higher Education in Film and Television.

3、In 2009, he won the Second Prize of Henan Province for Outstanding Achievements in Social Sciences for his book "Integration of Painting into Film: The Meeting and Transformation of National Aesthetic Consciousness".

4、In 2009, the book Narratology of Film and Television won the first prize of the Sixth National Academic Writings on Radio and Television.

(II) Papers and research reports

5, 2018, the thesis "Internet Thinking, Big Image Thinking and Cross-border Thinking - New Perspectives on the Professional Change of Radio and Television Studies at the Present Time", won the First Prize of Excellent Achievements in Educational Scientific Research in Henan Province.

6, 2015, the thesis "Research on Cultural Adaptation of Cross-cultural Communication in Chinese Films", won the Second Prize of Excellent Achievements in Humanities and Social Sciences in Zhengzhou City in 2015.

7, 2015, the thesis "Research on the Cultural Communication of International Award-winning Films", won the Second Prize of Excellent Achievements in Humanities and Social Sciences of Henan Provincial Education Department.

8、In 2013, the thesis "Research on the Cultural Code of Stars in the Cross-cultural Communication of Chinese Films", won the First Prize of Excellent Paper of Film and Television Education Committee of China Higher Education Society.

9、In 2008, the research report "Research on Cooperation and Competition in China's Broadcasting Industry", won the Third Prize of Development Research Award of Henan Provincial Government in 2008.

In 2007, he won the third prize of Zhengzhou City Social Science Outstanding Achievement Award for his thesis on the application and transformation of traditional painting "blank" concept in Chinese film mirror language.